by Victoria Helen Stone
At forty-five, Hannah Smith is at a crossroads. That’s her spin on it. The reality is she’s divorced, jobless, and moving back to her family home in Iowa to keep an eye on her mother, who’s slipping into dementia. Her return stirs up the same unnerving sense of disconnect Hannah has felt since childhood—always the odd girl out, the loner outshone by her two older sisters. Hannah knew the feelings of hurt would come back. But she never expected fear. Because when her mother looks into her eyes and whispers, “You’re not my daughter,” Hannah is beginning to believe it’s not just the rambling of a confused woman.
It’s the truth.
Now Hannah’s following the trail of a family mystery to the dark coast of Big Sur, where years ago a lie was born—and buried. As frightened as she is to unearth it, Hannah knows this is the last chance she has before her past—and all its terrible secrets—are lost forever.
1 day ago
by Stephanie Garber
Remember, it’s only a game…
Scarlett Dragna has never left the tiny island where she and her sister, Tella, live with their powerful, and cruel, father. Now Scarlett’s father has arranged a marriage for her, and Scarlett thinks her dreams of seeing Caraval—the faraway, once-a-year performance where the audience participates in the show—are over.
But this year, Scarlett’s long-dreamt-of invitation finally arrives. With the help of a mysterious sailor, Tella whisks Scarlett away to the show. Only, as soon as they arrive, Tella is kidnapped by Caraval’s mastermind organizer, Legend. It turns out that this season’s Caraval revolves around Tella, and whoever finds her first is the winner.
Scarlett has been told that everything that happens during Caraval is only an elaborate performance. Nevertheless she becomes enmeshed in a game of love, heartbreak, and magic. And whether Caraval is real or not, Scarlett must find Tella before the five nights of the game are over or a dangerous domino effect of consequences will be set off, and her beloved sister will disappear forever.
Welcome, welcome to Caraval…beware of getting swept too far away.
1 day ago
The Knocked Up Plan
by Lauren Blakely
There are three little words most guys don’t want to hear on the first date. Not those…I mean these… “knock me up.”
This single gal has had enough of the games, the BS and the endless chase. I know what I want most, and it’s not true love. It’s a bun in the oven, and I’m not afraid to hit up my sex-on-a-stick co-worker to do the job. Ryder is gorgeous, witty and charming — and he’s also a notorious commitment-phobe. That makes him the perfect candidate to make a deposit in the bank of me.
I won’t fall for him, he won’t fall for me, and there’s no way baby will make three.
There are four words every guy wants to hear on the first date — “your place or mine?”
When my hot-as-sin co-worker makes me a no-strings-attached offer that involves her place, my place, any place — as well as any position — I can’t refuse. Besides, I've got my own reasons to take her up on her deal even with her one BIG condition.
There’s no way I’ll want more from one woman than any position, any where, any night? Except . . . what if I do?
1 day ago
by Neil Gaiman
In Norse Mythology, Gaiman fashions primeval stories into a novelistic arc that begins with the genesis of the legendary nine worlds; delves into the exploits of the deities, dwarves, and giants; and culminates in Ragnarok, the twilight of the gods and the rebirth of a new time and people. Gaiman stays true to the myths while vividly reincarnating Odin, the highest of the high, wise, daring, and cunning; Thor, Odin’s son, incredibly strong yet not the wisest of gods; and Loki, the son of giants, a trickster and unsurpassable manipulator. From Gaiman’s deft and witty prose emerges the gods with their fiercely competitive natures, their susceptibility to being duped and to dupe others, and their tendency to let passion ignite their actions, making these long-ago myths breathe pungent life again.
1 day ago
by Olga Grushin
“Forty rooms” is a conceit: it proposes that a modern woman will inhabit forty rooms in her lifetime. They form her biography, from childhood to death. For our protagonist, the much-loved child of a late marriage, the first rooms she is aware of as she nears the age of five are those that make up her family’s Moscow apartment. We follow this child as she reaches adolescence, leaves home to study in America, and slowly discovers sexual happiness and love. But her hunger for adventure and her longing to be a great poet conspire to kill the affair. She seems to have made her choice. .
But one day she runs into a college classmate. He is sure of his path through life, and he is protective of her. (He is also a great cook.) They drift into an affair and marriage. What follows are the decades of births and deaths, the celebrations, material accumulations, and home comforts—until one day, her children grown and gone, her husband absent, she finds herself alone except for the ghosts of her youth, who have come back to haunt and even taunt her.